Tarzan-x: Shame Of Jane (1995) [patched] ❲Extended ◆❳

| Item | Details | |------|---------| | | Tarzan‑X: Shame of Jane | | Year | 1995 | | Country of Origin | Co‑production between the United Kingdom (Ravenwood Studios) and Singapore (Silver Orchid Media) | | Director | Elliot Harrow – known for low‑budget sci‑fi action titles (e.g., Neon Rift (1993)). | | Screenwriter | Mara Kline – credited for re‑working the original Tarzan narrative into a darker, character‑driven plot. | | Producer | Richard “Ricky” Mendoza – head of Ravenwood’s “X‑Series” line of experimental franchises. | | Music | Composed by Simon Liao , featuring a synth‑orchestral hybrid score. | | Runtime | 92 minutes (film). | | Budget | Approx. US $2.3 million (estimated from production ledgers). | | Distribution | Direct‑to‑video (VHS, LaserDisc) – distributors: EuroVision Video (EU), Golden Lotus Media (Southeast Asia). | | Home‑media Re‑release | 2003 DVD in limited collector’s edition (region‑free). | | Ancillary Products | • 3‑issue comic series (published by Dark Lantern Comics , 1995‑1996). • “Tarzan‑X” video game (Sega Saturn/PlayStation, 1996). |

“” is a little‑known, 1995 multimedia production that blends elements of the classic Tarzan mythos with a darker, quasi‑psychological thriller tone. It was released as a direct‑to‑video film in limited markets (mainly Europe and select Asian territories) and was later bundled with a short‑run comic‑book series and a companion video‑game for the Sega Saturn/PlayStation. tarzan-x: shame of jane (1995)

| Act | Key Beats | Themes Highlighted | |-----|-----------|--------------------| | | Jane’s arrival; Kordova’s hidden lab introduced. | Colonial exploitation; the ethics of scientific meddling. | | II – Complication | Moral temptation (publishing contract); Tarzan‑X’s breakout. | Personal shame; identity crisis. | | III – Confrontation | Jane’s negotiation with Kordova; Tarzan‑X’s primal rampage. | Redemption; empathy vs. brute force. | | IV – Resolution | Live broadcast of truth; Tarzan‑X’s self‑destruction of the lab. | Sacrifice; redefinition of heroism. | | Item | Details | |------|---------| | |

"Tarzan-X: Shame of Jane" (1995) may not be the most well-known or highly regarded film in the "Tarzan" franchise, but it still holds a certain charm and interest for fans of the series. Its campy humor, low-budget production values, and cult following make it a fascinating footnote in the history of the franchise. If you're a fan of "Tarzan" or just looking for a quirky, retro film experience, "Tarzan-X: Shame of Jane" is worth checking out. | | Music | Composed by Simon Liao

“Tarzan‑X: Shame of Jane,” released in 1995, occupies a curious niche in the sprawling legacy of the Tarzan mythos. While the original Edgar Rice Burroughs novels and the countless film adaptations have largely portrayed Jane Porter as the archetypal Victorian‑era heroine—intelligent, compassionate, and ultimately supportive of Tarzan’s return to civilization—this later work deliberately subverts those expectations. By casting Jane in a more ambiguous moral light, the story probes the tensions between civilization and the jungle, gender roles, and the limits of romantic idealism. The essay below examines the narrative structure, thematic concerns, character dynamics, and the broader cultural context that inform the novel’s provocative title.

One of the most distinguishing features of this 1995 production was its technical ambition. Unlike many low-budget features of the time, the production utilized authentic jungle locations to capture expansive vistas. D'Amato’s background in horror and mainstream exploitation cinema influenced the cinematography, which employed 35mm film and natural lighting to mimic the look of traditional adventure films. This commitment to visual quality set the work apart from its contemporaries in the mid-90s market.

– Tarzan (John Clayton, Lord Greystoke) returns to the African wilderness after a period of exile in Europe. He re‑claims his position among the apes and re‑establishes his symbiotic relationship with the jungle’s ecosystem.