All safety instructions are highlighted in red on the device itself and in the Quick‑Start Card that comes with the kit.
| Period | Key Developments | Influences | Notable Releases | |--------|------------------|------------|-------------------| | | Began classical sax training; discovered electronica through Daft Punk and early dubstep. | John Coltrane, Miles Davis, Aphex Twin, Kraftwerk | Self‑released EP “Sax‑Rite” (2011) – lo‑fi bedroom recordings. | | 2013‑2015 (College & First Tours) | Studied sound design at RMIT; built first DIY modular synth “Rocket‑One”. Started performing live loops at Melbourne’s underground clubs. | Flying Lotus, Kamasi Washington, Flying Lotus, Flying Lotus (yes, again—her love for repetitive grooves). | “Launchpad” (2014) – debut album, reached #12 on Australian Independent Charts. | | 2016‑2018 (International Breakthrough) | Relocated to Berlin; joined the “Future‑Jazz” collective Neon Pulse . Integrated motion‑capture gloves (Leap Motion) into live set. | J‑Dilla, St. Vincent, Sun Ra, Squarepusher. | “Rocket Sax” (2017) – Grammy‑nominee for Best Contemporary Instrumental Album. | | 2019‑Present (Multimedia Era) | Launched the “Missax‑Space” immersive VR concert series; collaborations with visual artists, AI‑generated choreography. | Björk, Arca, Brian Eno, Octavia Butler (literary). | “Cosmic Reverb” (2022) – topped Beatport’s Top 10 Synth‑Jazz list. | kylie rocket missax
| Mode | Approx. Runtime | |------|-----------------| | Playing only (no boost) | 8 h | | Light‑show active (medium brightness) | 6 h | | Full boost + light‑show | 30 min of boost + 4 h playing | All safety instructions are highlighted in red on