– He noted the Shinto-influenced view that nature has its own gods and agency, making the conflict not just ecological but sacred. The forest spirit (Night Walker) he called “one of the most mysterious and powerful images in modern animation.”
Roger Ebert gave Princess Mononoke movie review - Roger Ebert
For a look at his original televised discussion of the film: Princess Mononoke - Review by Ebert & Fat Guy (1999) Moshroooom YouTube• May 19, 2012 Princess Mononoke movie review - Roger Ebert princess mononoke roger ebert
Roger Ebert's championing of Princess Mononoke (1997) was a pivotal moment for Japanese animation in the West. Awarding the film a perfect , Ebert described it as "one of the most visually inventive films" he had ever seen, urging audiences not to let conventional ideas about "cartoons" keep them from this adult-oriented masterpiece. A Vision Beyond Live Action
Other writers and reviewers featured on his site have continued to analyze the film's legacy. For instance, a Thumbnails 3/17/17 - Roger Ebert commentary highlights the film's "paradigm shift" in depicting female characters, specifically citing San as an independent and fierce warrior rather than a "damsel in distress". – He noted the Shinto-influenced view that nature
a full , calling it "one of the most visually inventive films" he had ever seen. In his 1999 review, he praised Hayao Miyazaki as a "great animator" and urged audiences not to let conventional biases against animation prevent them from experiencing this epic story set in medieval Japan. Key Themes in Ebert's Review
Here’s a concise write-up based on Roger Ebert’s review of Princess Mononoke (1999 US release). A Vision Beyond Live Action Other writers and
Overall, Ebert's review of Princess Mononoke is a glowing endorsement of the film's artistic and thematic achievements. His praise for the film's ambition, animation, and thought-provoking themes has helped to cement its status as a classic of animated cinema.
: Ebert used the film to argue that animation is not merely a "shadow of reality" but a medium that "shows the essence" of the world, freeing stories from the "chains of the possible".
: Ebert found Lady Eboshi to be a fascinatingly nuanced character; she is an industrialist destroying the forest, yet she is also a compassionate leader who rescues women from brothels and cares for lepers. The Artistry of Animation Ebert argued that animation can achieve a level of clarity and emotional resonance that live-action often cannot. He famously interviewed Miyazaki and discussed the "marvelous monster" at the film's start—a boar possessed by a demon of hate. 11 sites Princess Mononoke movie review review: - Roger Ebert Hayao Miyazaki is a great animator, and his “Princess Mononoke” is a great film. Do not allow conventional thoughts about animatio... Roger Ebert Director Miyazaki draws American attention - Roger Ebert Dec 15, 2012 —