Anushka plays a lawyer with her own personal trauma regarding her father. Her character arc parallels the main plot; she initially takes the case to prove a point to her estranged dad but eventually learns the true meaning of parenthood from Krishna. She represents the progressive, empathetic society.
This real-life custody tug-of-war mirrored the film’s climax almost exactly. Vikram was so moved by Suresh’s unwavering, pure love—untainted by adult complexities like money, status, or revenge—that he insisted the writers incorporate that raw, simple plea into Krishna’s courtroom testimony. deiva thirumagal movie
Determined to get his daughter back, Krishna follows them to Ooty. He is aided by his lawyer friend, Anu (Anushka Shetty), and her assistant, Basha (Santhanam). They fight a legal battle against Rajendran’s high-powered attorney, Sugumar (Nasser), arguing that a father’s love transcends intellectual capacity. Anushka plays a lawyer with her own personal
Suresh had a young niece whom he adored. After his sister (the girl’s mother) passed away, other family members attempted to separate Suresh from the child, arguing that he was incapable of providing proper care or emotional support. Suresh, through his caretakers, fought back. His argument was not legal or financial—it was purely emotional: “She is mine. I love her. I will give her all my happiness.” He is aided by his lawyer friend, Anu
The courtroom drama centers on whether Krishna can prove he is capable of raising a child who is mentally outgrowing him. The film concludes with a heart-wrenching decision that redefines what it means to be a "fit" parent.
Desperate to reunite with his daughter, Krishna travels to Chennai and crosses paths with (Anushka Shetty), a struggling lawyer who agrees to represent him. The second half of the film transforms into a sentimental courtroom drama as Anuradha battles the ruthless, elite lawyer Bashyam (Nassar) to prove that Krishna’s love outweighs his disability. Cast and Creative Team
A.L. Vijay demonstrates a keen eye for emotional storytelling. He avoids melodrama (a staple in Tamil family dramas) and relies on silence and subtle reactions. His handling of the courtroom scenes strikes a balance between legal realism and cinematic emotion.